Julie Wosk’s My Fair Ladies is an engaging historical account of female automata, with sidelights on dolls, disembodied electronic female voices, masks, make-up, and the sexual and gender implications of efforts to create artificial humans.
Somehow at the heart of sci-fi is returning power to the people who almost always regain control before things get completely out of hand. But we learn that our freedom comes at a cost. The reassuring aspect of Maynard’s work is that justice prevails, despite the ominous lurking of some technological beast that is waiting to be unleashed.
Mann and Toles crystallize for us climate change denialism, principally in the United States, over the last generation. The core of this denial results from the confluence of several trends deeply embedded in the American culture.
Oliver Heaviside (1850-1925) is now considered a maverick of electrical science, but he could also be considered the founder of that subject.
Peter Buse, in his The Camera Does the Rest, stakes out different territory. His focus is on the social meaning of the Polaroid camera: how did it change photography? How were the cameras used? And how did Land intend them to be used — a concept that often differed from their actual use.
Orman poses “information overload” as a paradox and gives us three mechanisms through which such paradox arises. The paradox is that technologies help us know more, but in the process, we know less.
Petrick provides historic perspectives of how computer technology was developed in the United States allowing persons with disabilities full participation in their own lives and in the society.
In today’s world of climate denial and vaccine skepticism, one would be forgiven for assuming that an anti-intellectual, anti-expertise, anti-truth wave is sweeping the globe, and that the rise of the far right necessarily spells an end for science-informed policy.
By Gary T. Marx, University of Chicago Press, 2016. Reviewed by Donna L. Halper It goes without saying that we… Read More