Albright’s book focuses on a group of Americans who live a life of digital hyper-connectivity. Mostly under age 50, this would include what are called Generation X (born between 1965 and 1979), Millennials (born between 1980 and 1999), and their offspring — some, as we have seen, still infants.
Mann and Toles crystallize for us climate change denialism, principally in the United States, over the last generation. The core of this denial results from the confluence of several trends deeply embedded in the American culture.
“From today, painting is dead!” is said to have been proclaimed by the French painter Paul Delaroche in 1839 after seeing his first daguerreotype. His was an early name on the list of people who have made fools of themselves when prognosticating a future resulting from a new medium or invention. Motivated by either techno-euphoria or pessimism they have become famously wrong.
It’s interesting that the first major science fiction novel was written by a woman and perhaps significant that it presents a dark vision of scientific experimentation.
Peter Buse, in his The Camera Does the Rest, stakes out different territory. His focus is on the social meaning of the Polaroid camera: how did it change photography? How were the cameras used? And how did Land intend them to be used — a concept that often differed from their actual use.
By Christopher Cooper. New York: Race Point Publishers, 2015, 195 pages. Ask a “twentysornething” or “millennial” A what the word… Read More