It is “seeing” that is most compelling when analyzing the relationship between architecture and race, especially, for example, when reexamined in literary works such as F. Scott Fitzgerald’s The Great Gatsby. Adrienne Brown, a professor who specializes in American and African American cultural production at the University of Chicago, takes her readers on a journey that recounts seeing racial characteristics in the early period of American skyscraper construction.
RFID, even though it underlies electronic toll collection and other systems we interact with every day and is poised to become practically ubiquitous, is far less conspicuous. Jordan Firth’s A Billion Little Pieces aims to bring RFID into the foreground, giving readers a sense of what the technology is, how it is being and could be used, and how concerned we should be about its implications, especially those regarding privacy.
Ethical diversity refers to “diverse beliefs … as to what are the most ethically appropriate or inappropriate courses of actions,” and takes into account the different values and beliefs people hold [2]. This diversity is and has always been a source of confusion and conflict, from the personal to the international. The answer, however, is to have forums to debate and discuss the ethical choices embedded in everyday life, not algorithms that render the choice being made invisible.
The issue of air pollution is a “wicked problem” — complicated by incomplete knowledge, both within the scientific community and among various stakeholders.
One of the major ways in which the development of self-driving cars has been discussed — the levels of automation drawn up by the Society of Automotive Engineers (SAE) — is misleading. A typology originally developed to provide some engineering clarity now benefits technology developers far more than it serves the public interest.
It is time to move beyond handwringing and nostalgia over our vanished American journalism past. While market forces will sustain some forms of serious reportage, evidence is mounting that creators of journalism in the public interest can’t innovate their way out of a deepening technological crisis.
With techno-feudalism, what is paid and permitted in a digital space is decided by asymmetric power, not mutual consent. Political approval for funding priorities, education programs and regulation all favor Big Tech.
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