The author’s intention is to study cases that “suggest an architectural history of spaces that have been generated or extensively reconstituted by electric light.” His thesis is “the electric light changes the underlying nature of a space.”

The author’s intention is to study cases that “suggest an architectural history of spaces that have been generated or extensively reconstituted by electric light.” His thesis is “the electric light changes the underlying nature of a space.”
It is “seeing” that is most compelling when analyzing the relationship between architecture and race, especially, for example, when reexamined in literary works such as F. Scott Fitzgerald’s The Great Gatsby. Adrienne Brown, a professor who specializes in American and African American cultural production at the University of Chicago, takes her readers on a journey that recounts seeing racial characteristics in the early period of American skyscraper construction.